MASSIVES MEMOS

MASSIVES MEMOIRES ou MASS MEMORIES.

 Je travaille sur un concept alternatif que je nome Massives Memoires,

 Mass Memories in English. J'etudie les relations entre souvenirs personnels et mémoires aléatoires

 subjectives collectives du siècle passé . Je fais un mixe algorythmique d'albums de familles au hasard reconstitues.

une de mes  plate-forme de diffusion est facebook en raison de son large public et de sa structure, livre de visages  . Le concept vient d'une expérience 

Fanzine alternatif des années 80 , qui traite de l'utopie , le situationnisme et Punk Rock. De Marshal Mac Luhan, 

" Goumen - Produktion " . Le résultat de ces recherches sous forme de films 16mm, found footage, albums de photos de familles, diapositives, fairont l'objet d'une expositions multimedia.

 

sera publier dans les deux ans à partir de maintenant

mais sinon le projet se poursuivra jusqu'à ce que nous atteignons les 300 000 images ,

 qui représentent la vitesse de la lumière .

Cordialement. Jacques Fhima.

I work on an alternative concept that I name Massives Memoires,  Mass Memories in English. I study the relationships between personal memories and random memories  Collective subjects of the past century. I make an algorythmic mix of albums of randomly reconstituted families. One of my broadcast platform is facebook because of its large audience and its structure, book of faces. The concept comes from an experience Alternative fanzine of the 80s, which deals with Utopia, Situationism and Punk Rock. From Marshal Mac Luhan, "Goumen - Produktion". The results of this research in the form of 16mm films, found footage, photo albums of families, slides, will be the subject of a multimedia exhibitions.   Will be published within two years from now But otherwise the project will continue until we reach 300,000 images,  Which represent the speed of light. Cordially. Jacques Fhima.

Managing previously unmanaged collections can be challenging. The process of securing the collection and making it accessible needs the mindset of a collections manager as well as the one of a project manager. The target audience are museum professionals with a basic training in co

Mllections care that are confronted with collections that are either large in numbers (1000+ artifacts) or stored confusingly, or both. 

The Massive Memories is a step-by-step guide how to approach this situation, assuming that there's nothing to start with but a collection that has to be accessioned and the person who is assigned to do it. It is about how to bring order into the chaos, to define what is needed in terms of time, money, staff and material, to spot facility issues and potential dangers, and to use the power of networking to solve an otherwise unsolvable task. 

Many themes conclude with “logical exits,” the points at which the collection in a condition that allows you to leave it for the next curator to take over. A common issue is that time frames are often so tight that the target of having the collection in good shape at the end of a contract or at a fixed date can’t be met. Another common scenario may be that other projects become more important and you have to stop working on the collection, which might sound familiar to many directors of small museums. “Logical exits” are the points you can do this without risking that everything you’ve done so far or since the last “logical exit” was a waste of time. For contractors those “logical exits” might serve as orientation points when negotiating the work that has to be done on the collection.